About the Artist
I create stylized sculptures focused on form, silhouette, and emotional clarity.
My work is built around the idea that strong design communicates more than detail ever can. The goal is never to add complexity for its own sake, but to find the shapes and relationships that make a piece feel alive from every angle.
My background in art started early through painting tabletop miniatures by hand, long before sculpture became part of my process. Some of those painted pieces were later featured as examples for products on Reaper Miniatures.
Over time I began to sketch and draw out of interest and the desire to create. That interest eventually led me to study illustration at the Academy of Art University in 2012, while continuing to work across traditional and digital mediums including oil, acrylic, watercolor, and sculpting.
Over time, those separate disciplines began shaping one another—painting informing surface and color, illustration strengthening design and silhouette, and sculpture bringing form into physical space.
I focus on finding the look first.
For me, the underlying form matters more than surface detail. If the structure and shape communicate correctly, everything else follows naturally—mood, expression, movement, and finish.
Most of the work happens long before paint is applied. I spend the majority of my time refining proportion, silhouette, and the relationships between forms until the piece feels right from every direction.
The goal is clarity, not complexity.
My experience spans traditional painting, digital illustration, sculpture, and creative direction within the design field. I’ve also taught artistic fundamentals through Skillshare and refined my approach through study under artists including Clint Cearley.
While sculpting is the foundation of my process, painting remains an important part of bringing depth and presence into a finished piece.
Every sculpture moves through multiple stages of refinement—from design and form development to surface preparation and hand-painted finishing.
A lot of my inspiration comes from animals, gesture, and observing personality through movement and shape.
I’m drawn to work that feels alive and approachable—pieces that have presence without needing exaggeration or noise to communicate.
Many of my works are also shaped by themes of faith, creation, and the quiet beauty found in living things.
At the center of it all is simply a love for creating things by hand and giving physical form to ideas that once only existed as sketches and imagination.
Join the Collector List
Early access to new releases and small-batch drops.
